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FEEDFORWARD - Angel of History
October
22, 2009- April 5, 2010
"Sharp Chic - über die Anziehungskraft des Kristallinen" 07.02. - 19.04.
Freiraum/quartier21, MuseumsQuartier Wien, Wien
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ENTER ACTION Digital
Art Now 7 February – 26 April 2009 ARoS Aarhus Kunstmuseum
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Glanz und
Verderben, Kunsthaus
Mürz
7.11.08-29.3.09
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macghillie - just a void, Cabaret Voltaire Zurich, 25.11-29.11.08
INKONSTRUKTION III, Stiftung Biesenthal, Berlin; 05.07.08 - 14.09.08
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NEWBORN undeliverable?
Kunsthof Zürich June 5-7, 2008
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SYNTHETIC TIMES - MEDIA ART CHINA 2008 / june 5 -july 5 2008
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Vigilancia y control , El Centro de Arte La Regenta
07.03. - 20.04.2008
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Transmediale 08: CONSPIRE
Ausstellung 30.01 - 24.02.08
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INVISIBLE/
INVINCIBLE A TICKET TO NOTHINGNESS
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SHIFT Basel.
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Sie
nennen es Realität HMKV in der PHOENIX Halle Dortmund, 6. - 21. Oktober
2007
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Im
Westen nur Neues Von der ZHDK Zürich
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The
BlackBenz Race Inauguration Parade, Schiphol, The Hague 13.04
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Translocal
Practices 6.6/7.6.
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KNOWBOTIC RESEARCH - Room
for Manoeuvre four vehicles: white_sovereign, passion_cleaner, tiger_stealth,
blackbenz October 5 - 27, 2006, Skuc
Galerija, Ljubljana,Slovenia
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Wilhelm Lehmbruck
Museum 10. 09. 06 - 28. 01.07 "Was ist Plastik? 100 Jahre - 100 Köpfe.
Das Jahrhundert moderner Skulptur"
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Wilhelm Lehmbruck
Museum 30.4.06 "Designing Truth"
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Duisburger Akzente 29.4.
Publicity- Kunst im Öffentlichen
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11.2005
[performance: PASSION 5] November 3rd, 8 pm;
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lateshift. Puls 5 Zürich
related to PASSION5: 1may.ch
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10.2005;
Stadt.kunst.:
"BlackBenz" - an artrace from Zurich to Prishtina and retour
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04.2005 [exhibition: naked bandit] "Open
nature"
Date : April 29(Fri.) -July 3 (Sun.) , 2005 Venue : NTT InterCommunication
Center [ICC] 2005 Gallery A, B, 5F Lobby, Entrance Lobby
open Nature" focuses on the "nature" infiltrated in our daily lives through
digital information environments, and aims to redefine it as an "open"
concept that clears the way for a broader range of relationships between
art and technology.
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01.2005
[exhibition: naked bandit]
MAPPING NEW TERRITORIES Schweizer Medienkunst International
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Knowbotic Research, Marlene McCarty, 56kTV-Bastard Channel, N3krozoft
Mord
30. Januar - 27. März 2005
In Zusammenarbeit mit dem Bundesamt für Kultur/sitemapping.ch sowie der
Basler Institution [plug.in] präsentiert die Neue Kunst Halle St. Gallen
vier Projekte zeitgenössischer Schweizer Medienkunst. Installationen und
Performances ergründen neue Territorien im Ausstellungsraum. Die Ausstellung
wird vom Symposium «Exposing Media Art» am 12.03.2005 ergänzt, das Fragestellungen
innerhalb des neu entstandenen Bereichs Medienkunst diskutiert.
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02.2005 [exhibition:naked bandit; Vol III]:
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[Exhibition from February, 4 to 8] Knowbotic Research's ‘naked bandit/here,
not here/white sovereign 3.0’ focuses on the mechanisms of detainment
of so-called ‘unlawful enemy combatants’ who can be regarded
as ‘here’ and, at the same time, ‘elsewhere’,
not anymore on the territory of the nation state, and thus banned, stripped
off from the legal framework which the nation state guarantees (‘naked
bandit’). The project investigates the mechanisms of such an inclusive
exclusion and the inherent formations of power. By remodelling these specific
formalisms in software code the artists are able to offer different possible
scenarios for the liberation of the ‘naked bandit’. It's obvious
that the solution cannot be applied on the prison situation. However this
tension of the hypothetical is crucial to the aesthetics of the work.
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10.2004 [exhibition:naked bandit; Vol II]:
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Orléans, Frankreich
6rd Orléans international architectural conference
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-> archive
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bio/bibliography
>e
/ >d
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material_current projects
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download area 1
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download area
2
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texts
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NEWBORN undeliverable,June 08
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NAMOC, Bejing, June 2008
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BlackBenzRace Basel;, October 2007
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BlackBenzRace Rotterdam; april 2007
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Skuc Galerija Ljubljana; october 2006
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Stealth_Tiger ; PubliCity Duisburg; april 2006
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Stealth_Tiger ; PubliCity Duisburg; april 2006
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Passion5 Zürich; november 2005
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ICCTokio, april 2005
ICC Tokio,
transcoding naked code, in collaboration: hitotzuki;
April 2005
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Kunsthalle St. Gallen, January 2005
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www.boatshop24.com
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knowbotic
research has a professorship at the Vertiefung
Mediale Künste / Department of Media and Art, Zürcher Hochschule
der Künste
http://vmk.zhdk.ch/php/home.php
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huwara_checkpoint.exe
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macghillie
- just a void, testcase
2008
INVISIBLE/
INVINCIBLE A TICKET TO NOTHINGNESS, Curators Without Borders,
2007
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My
BLACK CAT, testcase
Aros Museum Aarhus 2009
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>
BlackBenzRace, testcases 2007-2008
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> NEWBORN - undeliverable? Testcase
Hardbrücke Zurich 08
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enter>
test case realities: My BLACK CAT= 2009 >>>>>>
enter> test case realities: macghillie - just a void =
2008 >>>>>>
blog
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enter> test case realities: NEWBORN: undeliverable?
= 2008 >>>>>>
blog
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enter>
test case realities: BLACKBENZ RACE= 2007
>>>>>>
blog
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enter>
transcoding the clandestine: stealth_TIGER = 2006
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enter> Room for Manoeuver= 2006 >>>>>>
info
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enter> transcoding: PASSION5 = 2005 >>>>>>info
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enter>free 1MAY_ringtones
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enter> transcoding
sovereignty: NAKED BANDIT, 2004/05 >>>>>>
info
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enter> transcoding
security: minds of concern:
NY, Seoul, Barcelona 2002-20004 >>>>>>
info
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enter>
Mental ImMigration = 2001 >>>>>>
info
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enter>
eventmodul: anonymous. databody. muttering = 2001 >>>>>>
info
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enter> crack it! - connective
force attack = 2000 >>>>>>
info
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enter> lavoro immateriale
- time to back up! = 2000 >>>>>>
info
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enter>
info to series: IO_dencies questioning urbanity = 1997/99 >>>>>
> info
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enter>
IO_dencies Tokyo = 1997
>>>>>> site
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enter>
IO_dencies São Paulo = 1998 >>>>>>
site
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enter>
IO_dencies Ruhrgebiet = 1999 >>>>>>
site
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enter>
IO_dencies lavoro immateriale = 2000 >>>>>>
site
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enter> DWTKS
- Dialogue with the Knowbotic South = 1994 - 97 >>>>>>
info
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enter> Anonymous
Muttering = 1996 >>>>>>
info
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enter> TT
- Turing Tuning = 1994 >>>>>> info
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enter> SMDK -
Simulationsraum Mobiler Datenklänge = 1993 >>>>>>
info
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enter>
Ping Operation Pong = 1991 >>>>>>
info
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enter> TRANSLOCAL_PRACTICES
enter>
Enacting Timebased Archive = 1999 - 2001
enter> eSCAPE/Esprit
Projekt 25377 IO_dencies questioning urbanity
enter>
Hypermediale Bild-, Text-, Video-Archive zur Dokumentation
komplexer
Artefakte der Bildenden Kunst, Universität Lüneburg
enter>
mem_brane laboratory = 1995 - 1998
>>> > site
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media_architecture> Nachrichtenturm = 1998
print_projects->
nonlocated_online, AM, naked bandit
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Tiger_
Stealth_Black_Transport_Berlin_Ljubljana
08
> enter: Galerija Skuc, Ljubljana, October 5 - 27, 2006 Knowbotic Research
-
'Room for Manoeuvre' four vehicles: white_sovereign, passion_cleaner,
tiger_stealth, blackbenz Exhibition opening: Thursday, October 5, 2006,
20.00 h
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BLACKBENZ RACE-
Projektentwicklung im Rahmen des Forschungsprojekts
Kunst Zürich Öffentlichkeit, www.stadtkunst.ch,
2005
The BlackBenz Race is a semi-fictional car race outlined as a public art
inter-
vention in Zurich and as well into the transnational Albanian migration
space in
Europe. Over the last years the Albanians in Switzerland have been discriminated
and politized in the local mass media as speeders/racers that endanger
public
order. Knowbotic research, the theoretician Felix Stalder and three Albanian
social and asyl workers, Arben Gecai, Osman Osmani and Faton Topalli,
all living
in Zurich, are trying to open out of this local discrimination practice
a space for
an translocal experimental art project: A trip with black cars through
the Alban.
migrant routes, starting and returning to Zurich which will manifest visually
as a
car race i.e. this quite ordinary car trip will be designed, documented
and
mediatized in the style of existing illegal car races through Europe.
The race
participants, Albanian migrants and Swiss artists will transmit and publish
movies
on a "racing site" in the internet, report via sms text messages and "race"
infos
out of the cars to LED displays in the city of Zurich and to local swiss-albanian
newspapers.
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PASSION5
[Performance] 2 - 3 November, Puls 5, Zürich
The
intervention Passion5 by Knowbotic Research is an atmospheric installation
about different forms of passion: the passion of political activism in
street
protests, and the passion of scientific research, articulating playful
curiosity
with sytems of public order.
Passion5 reflects the current state of political agency, and its limits.
Slogans
and chants from street demonstrations mutate into pure sounds, transmitted
by
an urban street cleaning vehicle. Simultaneously, an engineer is trying
to build a
flight robot that will navigate autonomously, tracking the indoor space.
The
robot is an ambiguous mobile scanner, guarding the space, controlling
movements and behaviour, attracting empathy and attention.
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Enter Action Digital Art Now, Catalogue Aros, Aarhus Kunstmuseum 2009
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Kunst und Öffentlichkeit Kritische Praxis der Kunst im Stadtraum Zürich
Herausgegeben von Christoph Schenker und Michael Hiltbrunner, JRP|Ringier
Zürich 2007
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Synthetic Times, Catalogue, Editor: Zhan Gha, Beijing 2008
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13 Positionen Mediale Künste Zürich 2008; ISBN 978-3-85881-210-0
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Is it now?
Gegenwart in den Künsten, Hg. Adorf, Fink, Schade, Zürich 2007
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late shift, Kunst als symbol. Terrain
ed. Jetzer, Spinelli; 2006 mit Buetti, Steiner/Lenzlinger, Regli, Signer,
krcf
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Room for Manoeuvre, ed. krcf, broeckmann; catalogue, Skuc gallery 2006
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Designing Truth, Stiftung Wilhelm Lehmbruck, Duisburg 2006
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Under Fire.2: The Organization and Representation of Violence Edited
by Jordan Crandall Rotterdam: Witte te de With, 2005 ISBN 90-73362-65-2
http://oud.wdw.nl/ENG/forum/
research/crandall/fr_crandall.html
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download
the pdf file.
Transcoding the dilemma - naked
bandit
,
ed.Knowbotic Research 2005 Kunsthalle St. Gallen,
http://www.k9000.ch/shop_d.html
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2. Sarai READER 05: BARE ACTS Editors: Monica Narula, Shuddhabrata Sengupta,
Jeebesh Bagchi + Geert Lovink Guest Editor: Lawrence Liang Published by
the Sarai Programme, Centre for the Study of Developing Societies, Delhi,
2005 [cc] Produced and Designed at the Sarai Media Lab, Delhi ISBN 81-901429-5-X
584 pages, 14.5cm X 21cm Paperback: Rs. 350, US$ 20, Euro 20
The complete text of 'Bare Acts', like the entire contents of previous
readers, is available for free browsing and download as pdf files at http://www.sarai.net/journal/
reader5.html
For Purchase, Distribution and Other Enquiries, mail to - publications@sarai.net
or, contact - Publications Sarai, Centre for the Study of Developing Societies
29, Rajpur Road, Delhi 110054, India Tel :    (+91)
11 2396 0040
http://www.sarai.net E mail : dak@sarai.net Distributors:
Seagull Books, Delhi & Kolkata (in India) and Autonomedia, New York
(USA)
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Herausgeber: [plug.in], Bundesamt für Kultur, Neue Kunsthalle St. Gallen
Mapping
New Territories Schweizer Medienkunst International, Art Multimédia
Suisse International, Swiss Media Art International Mai 2005, 280 Seiten,
20 Farbabbildungen, broschiert, deutsch/englisch/französisch ISBN: 3-85616-238-0
SFr. 49,00 / Euro 32,00
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Taschenverlag 2006, Tribe, Reena
Artists featured: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki,
Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg,
Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Knowbotic Research,
Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs
Media Collective, RTMark, and John F. Simon Jr.
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aRt&D: Research and Development in Art (paperback, art&d)lays
open a new investigative field of art that emerged in the last few decades
as a result of media and technology influences. It is the first book ever
published that is entirely dedicated to artistic research and development.
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RECK, HANS ULRICH. Kunst als Medientheorie. Vom Zeichen zur Handlung.
München 2003. 661 S. mit 75 Abb., Bibliographie, Index, brosch. Reck macht
die Umrisse einer Kunst deutlich, die an und durch sich selber Kunst-
und Medientheorie ist. In zwingender Weise wird von hier aus eine neue
Perspektive auf zahlreiche Aspekte der bisherigen Geschichte der bildenden
Kunst erkennbar
Designed
by Bart Lootsma, this catalogue gathers thirty teams of international
architects around the new stakes of urban space: globalization, drifts,
smart mobs, new technologies…
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